Stardust
Stardust

Ink and watercolor on bristol paper, 20x18 inches. 2022

Original work available for purchase.

Limited edition prints are also available for purchase, please inquire through contact page.

Untitled 1.2024
Untitled 1.2024

Graphite on Bristol paper, 11 x 14 inches 2024

Untitled 8.22
Untitled 8.22

Ink and gouache on bristol paper, 11 x 14 inches 2022

Dyeing forest
Dyeing forest

This is a watercolor and ink painting on paper 5.5 x 9 inches, 2022.

I created this piece during an art residency at Sachaqa Centro del Arte in San Roque, Peru. This gorgeous place was a 20 minute walk uphill from the center of the town, nestled inside the jungle. The town was build around a river where the locals gathered everyday to cool down and swim. The residency director taught me how to find mineral rich stones in the river and grind them down to create pigments, which I used for the sienna tones of this painting.

This painting was an experimentation with the earth pigments as well as a reflection of my time there. The jungle had lethal spiders, dengue fever, parasites and millions of less disturbing creatures. However it was inspiring and beautiful to be immersed in nature and to see how the locals lived sustainably. The gardens were full of coca, fruit trees and herbs that were fertilized by composting. The people of the town harvested cocoa beans and nuts then sat in the streets to dry them. They were peaceful and connected to each other, a stark difference from my life back in NYC.

This painting started as a sketch of a few of the trees in front of the studio space. The figure walking into or out of the portal was a reflection of the local beliefs in spirits of the mountains, trees and forest. I liked the idea of a supernatural portal in the forest, with an otherworldly spirit either entering or leaving.

Shadow
Shadow

Graphite, earth pigments, arabic gum and watercolor on bristol paper. 14 x 11 inches.

I created this piece during an art residency at Sachaqa Centro del Arte in San Roque, Peru. This gorgeous place was a 20 minute walk uphill from the center of the town, nestled inside the jungle. The town was build around a river where the locals gathered everyday to cool down and swim. The residency director taught me how to find mineral rich stones in the river and grind them down to create pigments, which I used for the sienna tones of this painting along with gouache for the blues.

This painting was an experimentation with the earth pigments as well as a reflection of my time there. The jungle had lethal spiders, dengue fever, parasites and millions of less disturbing creatures. However it was inspiring and beautiful to be immersed in nature and to see how the locals lived sustainably. The gardens were full of coca, fruit trees and herbs that were fertilized by composting. The people of the town harvested cocoa beans and nuts then sat in the streets to dry them. They were peaceful and connected to each other, a stark difference from my life back in NYC.

I created this painting after recovering from a stomach bug and still feeling lethargic, yet curious and inspired by what would happen next.

Hold Me
Hold Me

Edition of 6

Etching 10 x 8 inches plate 15 x 11 inches paper, 2022

Sigh
Sigh

(Edition 1 of 6)

Etching 10x8” plate 15x11” paper, 2022

$325

Framed with black metal, white mat and acrylic 16.5 x 14 inches.

Float
Float

Edition of 6, Etching 10x8” plate 15x11” paper, 2022

Breathe
Breathe

This is an ink drawing on Bristol paper, 11 x 14 inches. There are a series of 20 reproductions and 18 are still available for purchase. Each edition is signed by the artist with a certificate of authenticity for $125.

Framing options are available as well, inquire through the contact page.

Multiverse edition of 20
Multiverse edition of 20

The circular designs are inspired by wood grain knots, these forms also resemble cell structures and celestial forms. This work is made of three separate linoleum cut prints tiled next to each other to form a single artwork. The title is “multiverse” because radiating shapes resemble celestial spaces, musical rhythms or biological worlds. The circular designs are inspired by wood grain knots, these forms also resemble cell structures and celestial forms.

Third Verse monoprint
Third Verse monoprint

Monoprint, ink and hibiscus tea on bristol paper, 10 x 8 inches, 2020

The title of the first group of 9 prints is “Multiverse” and the singular prints in these series are called “Verses” numbered in chronological order.

Fourth Verse
Fourth Verse

Edition of 10, Lino print ink on bristol paper, 8.5 x 5.5 inches

The Fifth Verse- Hibiscus monoprint
The Fifth Verse- Hibiscus monoprint

Mono print, ink and hibiscus on Kozo paper, 10 x 7 inches 2021

Stardust
Untitled 1.2024
Untitled 8.22
Dyeing forest
Shadow
Hold Me
Sigh
Float
Breathe
Multiverse edition of 20
Third Verse monoprint
Fourth Verse
The Fifth Verse- Hibiscus monoprint
Stardust

Ink and watercolor on bristol paper, 20x18 inches. 2022

Original work available for purchase.

Limited edition prints are also available for purchase, please inquire through contact page.

Untitled 1.2024

Graphite on Bristol paper, 11 x 14 inches 2024

Untitled 8.22

Ink and gouache on bristol paper, 11 x 14 inches 2022

Dyeing forest

This is a watercolor and ink painting on paper 5.5 x 9 inches, 2022.

I created this piece during an art residency at Sachaqa Centro del Arte in San Roque, Peru. This gorgeous place was a 20 minute walk uphill from the center of the town, nestled inside the jungle. The town was build around a river where the locals gathered everyday to cool down and swim. The residency director taught me how to find mineral rich stones in the river and grind them down to create pigments, which I used for the sienna tones of this painting.

This painting was an experimentation with the earth pigments as well as a reflection of my time there. The jungle had lethal spiders, dengue fever, parasites and millions of less disturbing creatures. However it was inspiring and beautiful to be immersed in nature and to see how the locals lived sustainably. The gardens were full of coca, fruit trees and herbs that were fertilized by composting. The people of the town harvested cocoa beans and nuts then sat in the streets to dry them. They were peaceful and connected to each other, a stark difference from my life back in NYC.

This painting started as a sketch of a few of the trees in front of the studio space. The figure walking into or out of the portal was a reflection of the local beliefs in spirits of the mountains, trees and forest. I liked the idea of a supernatural portal in the forest, with an otherworldly spirit either entering or leaving.

Shadow

Graphite, earth pigments, arabic gum and watercolor on bristol paper. 14 x 11 inches.

I created this piece during an art residency at Sachaqa Centro del Arte in San Roque, Peru. This gorgeous place was a 20 minute walk uphill from the center of the town, nestled inside the jungle. The town was build around a river where the locals gathered everyday to cool down and swim. The residency director taught me how to find mineral rich stones in the river and grind them down to create pigments, which I used for the sienna tones of this painting along with gouache for the blues.

This painting was an experimentation with the earth pigments as well as a reflection of my time there. The jungle had lethal spiders, dengue fever, parasites and millions of less disturbing creatures. However it was inspiring and beautiful to be immersed in nature and to see how the locals lived sustainably. The gardens were full of coca, fruit trees and herbs that were fertilized by composting. The people of the town harvested cocoa beans and nuts then sat in the streets to dry them. They were peaceful and connected to each other, a stark difference from my life back in NYC.

I created this painting after recovering from a stomach bug and still feeling lethargic, yet curious and inspired by what would happen next.

Hold Me

Edition of 6

Etching 10 x 8 inches plate 15 x 11 inches paper, 2022

Sigh

(Edition 1 of 6)

Etching 10x8” plate 15x11” paper, 2022

$325

Framed with black metal, white mat and acrylic 16.5 x 14 inches.

Float

Edition of 6, Etching 10x8” plate 15x11” paper, 2022

Breathe

This is an ink drawing on Bristol paper, 11 x 14 inches. There are a series of 20 reproductions and 18 are still available for purchase. Each edition is signed by the artist with a certificate of authenticity for $125.

Framing options are available as well, inquire through the contact page.

Multiverse edition of 20

The circular designs are inspired by wood grain knots, these forms also resemble cell structures and celestial forms. This work is made of three separate linoleum cut prints tiled next to each other to form a single artwork. The title is “multiverse” because radiating shapes resemble celestial spaces, musical rhythms or biological worlds. The circular designs are inspired by wood grain knots, these forms also resemble cell structures and celestial forms.

Third Verse monoprint

Monoprint, ink and hibiscus tea on bristol paper, 10 x 8 inches, 2020

The title of the first group of 9 prints is “Multiverse” and the singular prints in these series are called “Verses” numbered in chronological order.

Fourth Verse

Edition of 10, Lino print ink on bristol paper, 8.5 x 5.5 inches

The Fifth Verse- Hibiscus monoprint

Mono print, ink and hibiscus on Kozo paper, 10 x 7 inches 2021

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